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Étude No. 1 in A Minor, "Triple Étude, after Chopin"
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Triakontameron: IV. Rendezvous
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Triakontameron: XI. Alt Wien
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Triakontameron: XIII. Terpsichorean Vindobona
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Triakontameron: XXI. The Salon
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Charakterskizzen, Op. 40: IV. Kaleidoskop
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Étude No. 10 in F-Sharp Minor, "after Chopin"
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Variations-Studie nach Mozart I
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Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo: Molto vivace
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Vous oubliez votre cheval
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Piano Sonata No. 4, "Jazz Sonata"
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Suite in the Old Style, Op. 28: I. Allemande
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Suite in the Old Style, Op. 28: II. Gavotte I – Gavotte II
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Suite in the Old Style, Op. 28: III. Sarabande
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Suite in the Old Style, Op. 28: IV. Bourrée I – Bourrée II
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Suite in the Old Style, Op. 28: V. Gigue
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Poems of 1917, Op. 41: I. No Man's Land: Andante espressivo
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Poems of 1917, Op. 41: II. The Sower of Despair: Moderato
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Poems of 1917, Op. 41: III. The Orient in Flanders: Andantino, molto espressivo
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Poems of 1917, Op. 41: IV. The Wrath of the Despoiled: Sostenuto, molto appassionato
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Poems of 1917, Op. 41: V. Night Brooding over the Battlefield: Moderato e misterioso
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Poems of 1917, Op. 41: VI. A Dirge of the Trenches: Lento
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Poems of 1917, Op. 41: VII. Song Behind the Lines: Andante con moto e malinconioso
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Poems of 1917, Op. 41: VIII. The Battle: Allegro e molto appassionato
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Poems of 1917, Op. 41: IX. Army at Prayer: Allegro, ma non troppo
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Troisième recueil de chants, Op. 65: I. Vivante
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Troisième recueil de chants, Op. 65: II. Esprits follets: Prestissimo
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Troisième recueil de chants, Op. 65: III. Canon: Assez vivement
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Troisième recueil de chants, Op. 65: IV. Tempo giusto
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Troisième recueil de chants, Op. 65: V. Horace et Lydie: Vivacissimo
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Troisième recueil de chants, Op. 65: VI. Barcarolle: Assez lentement
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Deux poèmes, Op. 71: I. Fantastique
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Deux poèmes, Op. 71: II. En rêvant, avec une grande douceur
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The People United Will Never Be Defeated!: II. Variation 1: Weaving, delicate but firm
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The People United Will Never Be Defeated!: III. Variation 2: With firmness
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The People United Will Never Be Defeated!: IV. Variation 3: Slightly slower, with expressive nuances
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The People United Will Never Be Defeated!: V. Variation 4: Marcato
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The People United Will Never Be Defeated!: VI. Variation 5: Dreamlike, frozen
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The People United Will Never Be Defeated!: VII. Variation 6: Same tempo as beginning
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The People United Will Never Be Defeated!: VIII. Variation 7: Tempo. Lightly, impatiently
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The People United Will Never Be Defeated!: IX. Variation 8: With agility; not too much pedal; crisp
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The People United Will Never Be Defeated!: X. Variation 9: Evenly
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Prole do bebê 1: I. Branquinha
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Prole do bebê 1: II. Moreninha
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Prole do bebê 1: III. Caboclinha
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Prole do bebê 1: IV. Mulatinha
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Prole do bebê 1: V. Negrinha
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Prole do bebê 1: VI. A Pobrezinha
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Prole do bebê 1: VII. O Polichinelo
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Prole do bebê 1: VIII. A Bruxa
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Four Polish Dances: I. Mazurek
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Four Polish Dances: II. Krakowiak
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Four Polish Dances: III. Oberek
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Four Polish Dances: IV. Polonaise
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Five Preludes: I. Andante affettuoso
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Five Preludes: II. Allegretto con moto
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Five Preludes: III. Lento
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Five Preludes: V. Lento – Rubato
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Variations and Fugue on a Theme of Georg Philipp Telemann, Op. 134: I. Theme: Tempo di Minuetto
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Variations and Fugue on a Theme of Georg Philipp Telemann, Op. 134: II. Variation 1: L'istesso tempo
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Variations and Fugue on a Theme of Georg Philipp Telemann, Op. 134: III. Variation 2: L'istesso tempo
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Variations and Fugue on a Theme of Georg Philipp Telemann, Op. 134: IV. Variation 3: L'istesso tempo. Scherzando
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Variations and Fugue on a Theme of Georg Philipp Telemann, Op. 134: V. Variation 4: L'istesso tempo
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Variations and Fugue on a Theme of Georg Philipp Telemann, Op. 134: VI. Variation 5: Non troppo vivace
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Variations and Fugue on a Theme of Georg Philipp Telemann, Op. 134: VII. Variation 6: Non troppo vivace
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Variations and Fugue on a Theme of Georg Philipp Telemann, Op. 134: VIII. Variation 7: Quasi tempo primo
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Variations and Fugue on a Theme of Georg Philipp Telemann, Op. 134: IX. Variation 8: Tempo primo
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Variations and Fugue on a Theme of Georg Philipp Telemann, Op. 134: X. Variation 9: Non troppo vivace
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Sonatina, "ad usum infantis Madeline M* Americanae", BV 268: II. Andantino melancolico
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Indianisches Tagebuch I, BV 267: II. Vivace
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Studies on Chopin's Études: I. C Major: 1st Version from Étude in C Major, Op. 10 No. 1
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Studies on Chopin's Études: II. D-Flat Major: 2nd Version from Étude in C Major, Op. 10 No. 1
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Studies on Chopin's Études: III. A Minor: 1st Version from Étude in A Minor, Op. 10 No. 2
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Studies on Chopin's Études: VI. C-Sharp Minor: Étude in C-Sharp Minor, Op. 10 No. 4
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Studies on Chopin's Études: VII. G-Flat Major: 1st Version from Étude in G-Flat Major, Op. 10 No. 5
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Studies on Chopin's Études: VIII. C Major: 2nd Version from Étude in G-Flat Major, Op. 10 No. 5
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Studies on Chopin's Études: IX. A Minor, "Tarantella": 3rd Version from Étude in G-Flat Major, Op. 10 No. 5
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Studies on Chopin's Études: X. A Major, "Capriccio": 4th Version from Étude in G-Flat Major, Op. 10 No. 5
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Studies on Chopin's Études: XI. G-Flat Major: 5th Version from Étude in G-Flat Major, Op. 10 No. 5
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Studies on Chopin's Études: XII. G-Flat Major: 6th Version from Étude in G-Flat Major, Op. 10 No. 5
