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Speech by Mr T. E. Bean, General Manager of the Royal Festival Hall
3
A Grand, Grand Overture, Op. 57
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Concerto for Hosepipe and Strings: III. Allegro
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Concerto popolare (A Piano Concerto to End All Piano Concertos)
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Speech by Gerard Hoffnung
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4 Mazurkas, Op. 68: No. 2 in in A Minor (Arr. Daniel Abrams)
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Lochinvar, for Speakers and Percussion
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Variations on "Annie Laurie": Theme (Alerto ma non troppo)
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Variations on "Annie Laurie": Var. I (Poco inglesemente)
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Variations on "Annie Laurie": Var. II (Molto zingaresemente)
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Variations on "Annie Laurie": Var. III (Alla gigolo)
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Variations on "Annie Laurie": Var. IV (Finale. Assai)
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Introductory Music Played in the Foyer
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A Hoffnung Festival Overture (2 Excerpts)
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Metamorphosis on a Bed-Time Theme (Allegro commerciale in modo televisione)
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Sugar Plums (after Tchaikovsky)
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The Famous Tay Whale - A dramatic poem by William McGonagall
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Concerto for Conductor and Orchestra
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Waltz for Restricted Orchestra
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Let's Fake an Opera or The Tales of Hoffnung: "Here are the girls" (The Master, Apprentices)
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Let's Fake an Opera or The Tales of Hoffnung: "I'm Azucena, Who could be plainer?" (Azucena)
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Let's Fake an Opera or The Tales of Hoffnung: "I see by daylight dawning" (Beckmesser, Azucena)
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Let's Fake an Opera or The Tales of Hoffnung: "Nie sollst du mich befragen" (Otello, Salome)
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Let's Fake an Opera or The Tales of Hoffnung: "Daughter of Heaven" (Otello, Salome, Fidelio)
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Let's Fake an Opera or The Tales of Hoffnung: "I'm in search of a man" (Brünnhilde)
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Let's Fake an Opera or The Tales of Hoffnung: "O schöne Melisande" (Beckmesser, Don Giovanni, Brünnhilde, Manrico, Nadir, Mélisande, Chorus)
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Let's Fake an Opera or The Tales of Hoffnung: "I'm Escamillo" (Escamillo, Chorus)
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Introductory Music Played in the Foyer (Excerpt, Rigmarole)
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Leonore Overture No. 4 (Overture after Beethoven's "Leonore No. 3, Op. 72a")
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Der Barbier von Darmstadt: Duet, "Escucha en linea o descarga" (Herr Knochen, Der Redepariner)
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Belshazzar's Feast (Excerpt) - Introduced by Mr T. E. Bean CBE
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Horrortorio, A Choral Extravaganza: Overture - Opening Chorus (Tenor, Chorus)
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Horrortorio, A Choral Extravaganza: Trio (Soprano, Contralto, Tenor)
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Horrortorio, A Choral Extravaganza: "Let all things nameless at our feast run wild" (Bass)
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Horrortorio, A Choral Extravaganza: Recitative, "With sharped-fanged smile the young bride bowed" (Tenor) - "My heart is swelling" (Soprano, Chorus)
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Horrortorio, A Choral Extravaganza: Recitative, "And while the company retired to a well-earned rest" (Tenor) - "My child, be seated" (Bass, Men's Chorus)
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Horrortorio, A Choral Extravaganza: Recitative, "And in the castle guest room" (Tenor) - "If you can hurt" (Contralto, Chorus)
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Horrortorio, A Choral Extravaganza: "Midnight … Dracula, still in the Gloom of youth" (Tenor)
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Horrortorio, A Choral Extravaganza: Recitative, "But at the reception" (Tenor)
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Mobile for Seven Orchestras
